Nicolas Sarkozy is worried about the future of his country's music industry, and he's turning to French ISPs for help. Speaking alongside other G8 and G20 delegates at the Forum d'Avignon this weekend, Sarko affirmed his commitment to setting up a "national music center" within France, in the hopes of spurring artistic creativity amid a rather dour industrial climate. Modeled on France's National Cinema Center, the system was first proposed back in September by Minister of Culture Frédéric Mitterrand, and, if launched, would be funded by a tax on ISPs. According to Sarkozy, taxing service providers in the name of protecting French art is only fair game. "Globalization [has allowed] the giants of the Internet to make a lot of money on the French market," Sarkozy explained, echoing familiar Gallic attitudes toward online protectionism. "Good for them, but they do not pay a penny in tax to France." He went on to praise his country's Hadopi copyright law for reducing internet piracy by 35 percent, but stressed that the government must do more to protect what could be a dying French commodity: "The day when there is no more music, the day when there is no longer a cinema, the day when there are no writers, what will your generation search for on the internet?" Other things, probably.

"Unique and precious pieces of movie art." That's what Lomography is promising to deliver with the LomoKino Super 35 Movie Maker -- the company's very first movie camera. Announced earlier this month, the LomoKino is hardly a technological game changer. In fact, it's anything but. Much like every other camera to come off of Lomography's assembly line, the Movie Maker is entirely analog. Users must spool their own 35mm film and manually operate the device's crank to capture images at a frame rate of three to five frames per second, with a shutter speed of 1/100 second. From there, you can either send the film off to get developed and digitally formatted, or cut it yourself and scan it into your movie editing software of choice.

You won't find any sound, many frills, or, for that matter, a ton of convenience, but that's also the idea -- to return filmmakers to the roots of early silent cinema, with a pared down device that reignites some of the photographic mystery lost with the dawn of the digital age. For those too young to remember the analog era, just think of it as a physical manifestation of Instagram, minus the "insta" part. And the results can be pretty stunning, as many in the Lomography community have already demonstrated with collections of hauntingly silent, washed out shorts. With our curiosity piqued, we decided to stop by Lomography's boutique in Paris to learn more about the LomoKino. Check out our hands-on gallery below, and click past the break for our initial impressions.

So you're tres green chic with your solar-charging jacket, and that Ralph Lauren backpack keeps your gadgets energized even off the coast of Martha's Vineyard. But what about stylish photovoltaics for your home, dear earth-friendly aesthete? We humbly submit the Electree, by French designer Vivian Muller. Shaped like a bonsai tree, each of its 27 leaves is a solar panel that helps charge a 13,500mAh battery. A concealed USB connector and A/C outlet will feed your gadgets while minimizing unsightly wires, and rotatable branches let you customize the look. Muller's looking for 400 presales to make the Electree a reality: for early birds, the price is €269 (about $370). If this sounds like the sort of thing you'd put on your windowsill, hit the source link to commence with the purchasing.